Technological provenance of early cinema when cinema finding in France by Lumiere brothers in 1896, Which is on that moment still in form of short film or documenter, because Lumiere just record existing occurence. And still in the form of silent motion picture and black and white picture. Slow from there - farm growth of film surely. Around year 1902 Mellies make story film of fenomenal, entitling Trip To The Moon. In the years film technology expand very fast, more and more also all film maker, start from Mellies which at first is a legitimate stages director. Around year 1920 film technology have entered voice phase. Films which in making have owned voice. Film example in the 1920 entitling Cassablanca , last of Orson Walles also make film with title of Cityzen Kane which have represented to form of long film as well as story film. Converse technology at that moment very complex. Because in those years, the equipments to make film have rapidly evoluted, start from used camera, to and mic of sound and or the way of editing. Then in the year hereinafter growth of modern film technology progressively, specially for the cinema of classic Hollywood. Start the existence of scenario in the film, good plot, background and setting, equipments which is practical progressively, character each;every figure, usage of modern celluloid camera, and start dare input a few animation, like in film of Trip The Moon directed by Mellies and Motorcycle directed by G.A Smith.
Film technology entered Indonesia in 1950’s first film by then entitle Tjambuk dan Doa from the directed Usmar Ismail or the father of Indonesia film. this is very far drop behind in comparison with France as its birth place of tidy american film and or film in the form of fiction of year 1902. But Indonesia film technology expand very fast, although initially very minim, technological more than anything else in Indonesia very drop behind from other country. In addition because Indonesia president at that moment very supporting cinema of Indonesia, so that president of Soekarno close to access westernization which recently happened in Indonesia. A victory of film Indonesia early in the year 80’s at that moment Indonesia represent one of the State which producing film many in one year. Follow the example of Indonesian cinemas at that moment is Badai Pasti Berlalu, Nagabonar etc.
At 90’s film of Indonesia of apparent death. Because of at that moment network of movies biggest in Indonesia that is 21 theatre close to access for the film of Indonesia. At that moment they only received films produced by Hollywood. But Indonesian filmmaker not only kept quiet. They remain to produce film in number which a few. But from there born talented film maker like Garin Nugroho, Rizal Mantovani, Jose Poernomo, Sentot Sahid, Riri Riza, Slamet Rahardjo, Sam Sarumpaet, and Mira Lesmana etc. until now cinema of highly developed Indonesia, start from equipments, editing software that is : Avid, Adobe Premierre, and Final Cut Pro, etc. And for supporter like animation sofware : 3D max, Illustrator. Also there supporter software in graphical like Adobe after effect, combusion, illustrator. Appliance make advertisement of compositing Flin and flam. Of data above which is notebene difficult to be got. From that very fast growth of Indonesia also can produced film the best film. Added by delivering birth of all young sineas with high creativity. Institute arts of Jakarta owning film faculty in it represent its birth place film maker in Indonesia, many worker of film in Indonesia which born from this institution.
Now Indonesian movies turns advancer. But cinema of Indonesia still not yet can be equalized by cinema of Hollywood, more than anything else there is not in system studio. But usage of equipments and also camera in filming have very modern. With existence of film technology in this time, more than anything else in this time many creative film maker like Upi, Nia Dinata, Joko Anwar, Hanny R. Saputra, Ody C. Harahap, etc. Indonesia now have produced very fenomenal films in, as example of Ayat – Ayat Cinta from the clever director, Hanung Bramantyo. Ayat-ayat cita has change box office in Indonesia. 3 millions audience from eiffel I'm in love. ayat-ayat cinta make the phenomenal with 3,5 millions viewers. in 2008 the end of the film's success was followed by Laskar Pelangi, directed by Riri Riza, who is none other than Hanung Bramantyo teacher during his lecture. Laskar Pelangi reaches 5 million viewers at the time. and in 2009 the success of the film laskar Pelangi expected to be followed by a sequel Sang Pemimpi.
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